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Untitled by Dibakar Karmakar
  • Untitled by Dibakar Karmakar
Untitled by Dibakar Karmakar

Untitled by Dibakar Karmakar

by Dibakar Karmakar

A bold abstract painting by Dibakar Karmakar exploring pure form, color, and artistic expression. This one-of-a-kind artwork showcases the artist's mastery of abstract composition and contemporary visual language.

Key Details:

  • Original painting - rare, never to be reproduced
  • Abstract style with expressive technique
  • Features dynamic composition and color exploration
  • Authenticated artwork

Perfect for collectors of contemporary abstract art and modern interiors. Offers bold visual presence and artistic sophistication while guaranteeing exclusivity.

Medium: Acrylic on canvas

Year: 2008

Size: 36x36 inch

Framing: Unframed
Rs. 60,480.00
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Shipping & Returns
Orders ship in 3–5 working days and arrive in 5–10 across India. Packed securely—rolled in a tube or framed and flat. As each piece is one-of-a-kind, returns are only for damaged or incorrect items. Email nextcanvas.art@gmail.com within 48 hours with unboxing photos for a quick resolution.

*Slight color variances may occur due to lighting & screen calibration.

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Never prints or reproductions

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Dibakar Karmakar

Dibakar is a Kolkata-based artist whose practice spans over two decades, marked by a thoughtful engagement with contemporary Indian visual language. A graduate of Rabindra Bharati University, where he completed both his B.V.A. (1992) and M.V.A. (1994) in Fine Arts, Dibakar has steadily built a reputation through a series of solo and group exhibitions across India.

His solo shows at Jehangir Art Gallery and Nehru Centre, Mumbai, as well as the Academy of Fine Arts, Kolkata, reflect his strong national presence. His work has been featured in prominent group exhibitions, including the National Exhibition of Art by Lalit Kala Akademi in Delhi and Jaipur. A founding member of the artist collective Antivirus (est. 2011), Dibakar’s works are part of numerous private collections in India and internationally.

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